Arts Club production of “Miss Bennet: Christmas at Pemberley” (photo credit: David Cooper)
Today is the anniversary of Jane Austen’s birth but, being unintentionally ahead of the game, I was already paying homage to her yesterday. I went down to Granville Island (which is always far more joyous in winter than in tourist-ridden summer) to my very favourite theatre to see the delightful “Miss Bennet: Christmas at Pemberley” by Lauren Gunderson and Margot Melcon.
Set two years after the events of Pride and Prejudice, “Miss Bennet” reunites the audience with favourite characters as they prepare to spend Christmas together at Pemberley. The family arrives in waves, with the BIngleys and Mary Bennet arriving first, followed by Lydia alone (Wickham, obviously, not being welcome), with Mr and Mrs Bennet and Kitty to follow on Christmas Day.
But soon it is not just Bennets descending on Pemberley. Lady Catherine de Bourgh has recently passed away and it has been discovered that, due to the conditions of her late husband’s will, Rosings now passes to Arthur de Bourgh, his nephew. Mr Darcy has invited Arthur to join them for Christmas and soon Anne de Bourgh, showing much of her mother’s determination, arrives as well.
Mary Bennet takes centre stage here and, as played by Kate Dion-Richard, is wonderful. In the two years since her sisters married, she has matured but no one seems to notice. Jane and Elizabeth, when reunited, barely acknowledge their younger sister is in the room. They don’t stop to consider how Mary must feel, left at home with their ill-matched parents, expected by everyone to remain a dutiful old maid, content to be quiet and alone with her books and piano. But Mary is not content and she wants more, even if she doesn’t quite know what that would be.
She is still Mary – socially awkward with her dedication to absolutely factual statements, absorbed by lengthy dense books that her sisters can’t begin to understand, and happier in a library than a ballroom – but she is far more interesting and energetic than Austen ever made her.
Arts Club production of “Miss Bennet: Christmas at Pemberley” (photo credit: David Cooper)
Mary is saved from spending the holidays entirely alone in the library by the arrival of a fellow socially-awkward bookworm: Arthur de Bourgh, played absurdly well by Matthew Macdonald-Bain. An only child who went from home to school to Oxford, Arthur has lived in an almost entirely male and almost entirely academic world. He is in no way prepared for his role as master of Rosing – or for a Christmas among the lively Bennet sisters. He is particularly not prepared for Mary Bennet, with whom he instantly feels a kinship. Their shared joy in discovery and learning, and their general conversational awkwardness make for some hilarious and heartwarming scenes. Everyone in the theatre spent the entire first act, as these two got to know one another, with a broad smile on their face.
There are, of course, comic complications but it is a Christmas play – and more importantly an Austen-inspired one – so all ends well.
The set was gorgeous, all the actors were excellent, and every theatregoer had a marvellous time. It’s playing until December 30th and I’m already considering going again. After all, it’s hard to have either too much Christmas or too much Austen in your life, especially when it is this much fun.
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