I feel that aging, like most things in life, is best approached with preparation. Lots and lots of preparation. That may mean exercise and skin care regimes, visioning and bucket lists, but it also means reading about those who have gone before to arm yourself with knowledge of what to expect.
Judging by How Did I Get to Be Forty…& Other Atrocities by Judith Viorst, I should be prepared for an intense volume of neuroses to set in over the next five years.
Viorst has been chronicling the trials of aging in verse since publishing It’s Hard to Be Hip Over Thirty (one of my favourite Persephone titles) way back in 1968. Now ninety, she has faithfully added a volume to mark each decade and while I look forward to the pensioner years, the trials of being forty held the dual appeal of being both a) closest to my actual age and b) published in 1976, making it perfect reading for this week’s 1976 Club.
I truly love It’s Hard to Be Hip Over Thirty so had high hopes for this, but was left entertained but indifferent. The galloping rhymes of the earlier volume are harder to find here, as is the humour. The poems feel bleaker; there is no longer the sense that you can laugh off the fears and frustrations of the speaker. The signs of aging have become unavoidable and adultery or divorce – now more potent since friends have experienced them first hand – are tragedies waiting to befall her rather than the neurotic fancies of a younger woman.
Cheerful stuff.
But there is fun to be had! Squandered potential is more comfortable territory and more easily mined for laughs (and relatability) in “Facing the Facts”:
I’m facing the fact that
I’ll never write Dante’s Inferno
Or paint a Picasso
Or transplant a kidney or build
An empire, nor will I ever
Run Israel or Harvard,
Appear on the cover of Time,
Star on Broadway, be killed
By a firing squad for some noble ideal,
Find the answer
To racial injustice or whether God’s dead
Or the source
Of human unhappiness,
Alter the theories of Drs.
S. Freud, C.G. Jung, or A. Einstein,
Or maybe the course
Of history,
In addition to which
I am facing the fact that
I’ll never compose Bach cantatas,
Design Saint Laurents,
Advise presidents, head U.S. Steel,
Resolve the Mideast,
Be the hostess of some major talk show,
Or cure the cold,
And although future years may reveal
Some hidden potential,
Some truly magnificent act that
I’ve yet to perform,
Or some glorious song to be sung
For which I’ll win prizes and praise,
I must still fact the fact that
They’ll never be able to say,
“And she did it so young.”
Having recently participated in a frankly mind-boggling pub conversation about diamond cuts and go-to jewelers, I also found “College Reunion” alarmingly easy to relate to, as the speaker marvels at the women she and her old school friends have turned into:
…we’ve all turned into women who know genuine in jewelry and
Authentic in antiques and real in fur.
And the best in orthopedists for our frequently recurring
Lower back pain.
And we’ve all turned into women who take cabs instead of buses
And watch color, not the black and white, TV,
And have lawyers, gynecologists, accountants, dermatologists,
Podiatrists, urologists, internists, cardiologists,
Insurance agents, travel agents, brokers, ophthalmologists,
And no ideal how we all turned into these women.
To be fair, I have always been this woman (I was very proud of my Rolodex full of business cards when I was 12) so there is little to marvel at for me. But, to my friends’ shame, I still don’t know much about diamonds.
The sharpest poem in the bunch (and the one with the strongest rhyming scheme – it’s so effective when used well!) is “The Good Daughter”, where the speaker tells of her dutiful cousin Elaine and Elaine’s no-good yet inexplicably preferred brother Walter:
The boys Elaine went with were all that her folks
And their gin club and swim club expected.
(The girls Walter went with her folks only prayed
That he wouldn’t come home from infected.)
Like It’s Hard to Be Hip Over Thirty – and I imagine the subsequent volumes – How Did I Get to Be Forty… & Other Atrocities is best as a record of the era and culture that produced it. The ideals of the 70s are on display, as the speaker longs to be “The Sensuous Woman” (“Beneath my beige knit (polyester) such cravings will smolder/That Uncle Jerome, if he heard, would pass out from the shame”), wishes she had something other than “drop-out Buddhist bisexual vegetarian Maoist children”, and begs someone to put a stop to her endless self-improvement programs (including Primal Scream Therapy and Consciousness Raising). It’s a fun way to pass a little time (a very little – it’s an extraordinarily thin book) but hopefully not a dependable guide for me of what’s to come.
Library Loot is a weekly event co-hosted by Claire from The Captive Reader and Sharlene from Real Life Reading that encourages bloggers to share the books they’ve checked out from the library. If you’d like to participate, just write up your post-feel free to steal the button-and link it using the Mr. Linky any time during the week. And of course check out what other participants are getting from their libraries.
Library Loot is a weekly event co-hosted by Claire from 
When Dean Street Press reprinted eight of Molly Clavering’s books earlier this year, I was so overwhelmed with excitement that I barely knew where to start. My only experience with Clavering had been Near Neighbours, reissued by Greyladies a few years ago, and I’d enjoyed it enough to want more. Overwhelmed by choice, I chose Dear Hugo for my reintroduction to Clavering. When, after all, have I ever been able to resist an epistolary novel?
Travel is one of my chief pleasures. I am single, financially independent, and can mangle several languages well enough to be understood. The world is my oyster. Except when it’s not.
The Captive Reader 