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Archive for the ‘Nick Hornby’ Category

Funny GirlIt’s rare that I finish a book thinking “I can’t wait to see the film adaptation of this”, but that was clearly the main thing on my mind when I finished – heck, when I finished the first chapter even – of Nick Hornby’s Funny Girl.

Funny Girl tracks the rise and fall of Barbara (and Jim), a fictitious 1960s British sitcom, and the lives of those involved in the show.  The show centres around Sophie Straw, a blonde bombshell who would rather make men laugh than pant – an ambition all men in London seem to find vaguely disorienting.  Crafting the show specifically for her are two sexually confused writers (well, one is confused, the other is just closeted) and a mild-manner producer, the straight man in this little group of actors and writers.  Rounding out the quintet is Clive, the Jim to Sophie’s Barbara, who can’t quite accept that what fame he has came because of Sophie’s star power and not his own.

It is a fun book.  It’s just also a bland and insubstantial one.  I never particularly enjoyed Hornby’s earlier novels but at least they were fresh and memorable.  Here, everything is instantly forgettable and every character is embarrassingly stereotypical and flat.  Even the characters you like – perhaps especially those ones – you spend the entire book hoping that Hornby will grant some attention to in order to flesh them out.  But no.  That never happens and so Sophie remains the sexy actress who just wants to be taken seriously for her talent rather than her looks, Clive remains the handsome but characterless cad, doomed to lechery and forgettable roles, and so on and so on.  It’s all a bit frustrating, particularly as Hornby’s attempts at social commentary are equally formulaic.

That said, I still think it would make a wonderful movie.  Flat characters collapse in print but do just fine on screen.  And who doesn’t love 1960s costumes?

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My excitement about having more time to blog while on vacation obviously hasn’t translated into actual blogging.  I should have anticipated this since, as always, Claire in holiday-mode is busier than Claire in work-mode.  But it has been a lovely break, if not a restful one.  The weather has been perfect, we’ve just had a fabulous party for my parents’ 35th wedding anniversary, and I have been reading like a fiend.  So far, unemployment is treating me very well.

I have been feeling guilty over the past few weeks for not blogging about the three books in Phillip Rock’s Greville Family Saga but just could not work up the enthusiasm to do so in detail.  The books, originally published in the late seventies and early eighties, have recently been reissued and are being marketed on the strength of their similarities to Downton Abbey.  The first book, The Passing Bells, opens in the summer of 1914 and follows the characters through the first half of the war.  Circles of Time picks up a few years later, looking at the impact of the war in both England and Germany, and the trilogy concludes in A Future Arrived, which jumps forward to the Second World War.

The Passing BellsI read The Passing Bells countless times as a teenager and still love it.  It is just as soapy as I remembered but it is great fun.  The writing is not brilliant and it feels very much of its time but it is an entertaining story and Rock is excellent at incorporating historical events into the story.  That is the real issue with the first book: the events and the characters’ experiences are generally better described than the characters themselves.   But Rock does manage to fit a lot of different perspectives in to this relatively short book, between the people at home, the frontline nurses, the career soldier who finds himself enraged by the waste of human life, the young romantic who goes mad after his experiences in France, and, most importantly, the young American journalist who records everything in clear-sighted journal entries that are the highlight of this volume.

circles-of-timeCircles of Time, perhaps because it doesn’t have any big historical events to structure itself around, is a much less eventful book and focuses more the personal lives of the characters from the first book.  It is a fine, entertaining story but the structure is a little uneven and I can’t quite put my finger on why that is.  The book takes a serious turn in the second half when Martin Rilke, the Greville’s American cousin, now a famous journalist, visits his Rilke cousins in Germany and witnesses firsthand the absurdities of the Weimar Republic (from mad hedonism in Berlin nightclubs to assassinations in the streets) and the beginnings of the Nazi party in Bavaria.

A Future ArrivedThe third book, A Future Arrived, is a mess.  Honestly, I wouldn’t even recommend reading it.  The structural problems that plagued the first two books completely finish this one off, and the situation is not helped by the introduction of younger characters who are either poorly developed or second-rate copies of their elders.  It is a messy, unsatisfying book that lacks the historical detail that redeemed the flaws of the earlier novels.  Just read the first two books and forget there is a third one.

Sorcery and CeceliaAs for other books, I enjoyed Sorcery and Cecelia, or The Enchanted Chocolate Pot by Patricia C. Wrede and Caroline Stevermer but am afraid I don’t have all that much to say about it.  It is an epistolary Regency-era fantasy novel – and isn’t that a mouthful?  It is the kind of fantasy I like the least – magic has never done it for me – so I think I enjoyed it less than other reader might have but both main characters (Kate and Cecelia) are great and the book is really very fun.  There are two more books in the series and I’ve already got one of them loaded on to my Kobo.

More Baths Less TalkingMore Baths Less Talking by Nick Hornby, which I read just before Sorcery and Cecelia, is a collection of Hornby’s monthly columns for the Believer about his reading choices and I got some great reading recommendations from it.  I love Hornby’s picks – he mentions many books I have already read or which are already on my TBR list – but, ultimately, he is still Hornby and I still just don’t like him all that much.  I don’t dislike him, but I have very little in common with him and don’t find his viewpoint particularly engaging or his style particularly interesting.  It is entirely a matter of taste.  There are three other volumes of earlier columns that I will probably track down one day but I’m not going to rush out to grab them.

I have some more exciting books to review soon, ones that I want to do justice to with dedicated posts – an excellent Monica Dickens novel, a lacklustre Persephone, and two fabulous Georgette Heyers among them – but for now I’m headed back to the pool.  Work, work, work!

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