If there is one thing 2020 has taught us it is that we can only control so much – but what we do control has the power to make us happy and keep us calm in uncertain times. It is in that spirit that I think everyone should track down a copy of Year of Wonder by Clemency Burton-Hill and embrace the power of music to comfort and delight you in 2021 and years to come.
First published in 2017, this wonderful book is a daily guide to classical music. A broadcaster and musician (and actress and journalist and…many, many things), Burton-Hill put it together after years of making playlists for friends and hosting radio programmes, eager to help introduce others to the genre she loves and yet which seems so far removed from many people’s lives. As she puts it in her introduction:
What I am determined to do…is to extend a hand to those who feel that the world of classical music is a party to which they haven’t been invited. I want to open up this vast treasury of musical riches by suggesting a single piece to listen to every day of the year: by giving it some context, telling some stories about the people behind it, and reminding you that it was created by a real person – probably someone who shared many of the same concerns as you, who wished to express themselves and happened to do so through this particular sequence of musical notes. It’s really important to remember that music does not exist in a vacuum: it requires listeners, audiences, witnesses in order to come alive; to be heard, to be felt. And that’s you!
With one piece selected for each day of the year, Burton-Hill guides listeners through familiar classics, forgotten gems, and contemporary works. It is an exciting collection and for every work of genius by Mozart or Bach (who rightly have multiple entries throughout the year), there is something I would never have found by someone I have never heard of. Refreshingly, Burton-Hill includes pieces by more than 40 female composers.
Though the main goal of the book is to demystify the genre for those who might have viewed it as an elitist art form, the book is just as rewarding for those of us who have been attending classical concerts all our lives and listen to little else. I grew up in a house where classical music – so cheap and easy to access in our modern world, thanks to radios, home audio systems, and now the internet – was always on and where trips to children’s programmes at the symphony started so early that I can’t remember my first concerts. My mother was raised in a world where everyone went to operas and concert halls, travelling by tram and sitting in boxes alongside teachers and factory workers, so took it for granted that music was necessary for everyone. She lulled her babies to sleep with Brahms and Mozart and we accordingly assumed it as part of our lives. It wasn’t until we started spending time at friends’ houses that we realised this wasn’t the case for everyone – and frankly that still boggles my mind. Clearly, what those friends (and their parents) needed was this book.
While some pairings of music and day are significant – many composers are featured on their birthdays and national independence days marked by compositions from proud sons/daughters – others are more whimsical. In January she offers up “music that feels like a large glass of red wine” and later a piece to console listeners simply because it is mid-February and we all need a bit of consoling as we wait for spring. The descriptions of pieces are engaging and informative, giving context to the pieces and their composers, and never more than one page long.
My only quibble – because I am the least technologically-inclined millennial in the world – is that the music itself is available only on streaming playlists (on iTunes and Spotify) and not in a mammoth CD collection. I hate having my devices nearby when I read and would love to be able to put the music on easily while I read. But recognize that I am a dinosaur and need to get with the times. Or burn my own CDs…
The Captive Reader 